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rosary workshop - Open Rosary Gallery
PRAYER BEADS in ART
A COLLECTION OF PAINTINGS SHOWING ROSARIES
The rosary has been worn throughout history not only by religious but devoted laity. There are periods of history, especially the 15th and 16th century when the rosary became stylish to wear. Coral was very popular.  And for many, the more elegant the rosary the more impressive it became. This caused great concern amongst religious who would ban wearing of rosaries from time to time.

MARY QUEEN OF SCOTS   -   PRAYER BEADS IN ART
GERMAN MADONNA

 But the purpose of this little museum is to show how the rosary was imaged by early painters as it was a tradition to include symbols or attributes with the figure to show interests or their love for God. The rosary was worn by many saints and martyrs so to picture it was important. For more resource information please contact the museums listed below. (Pictures link directly to Museum)

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1542 - MARY STUART WAS BORN

~ MARY, QUEEN of SCOTS ~

MARTYRED FOR HER FAITH - 1587


 
 
for more information on Mary Queen of Scots enter here
The sun shines through the beads 
of her rosary, appearing to be like 
droplets of blood.
(for more information click icon)
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SHE WEARS A 20  BEAD ROSARY OR CHAPLET HOOKED TO HER WAIST,
MARY QUEEN OF SCOTS - for more information, click this image
1578 - 1620
(ORIGIN, ARTIST UNKNOWN) 
20 BEAD CHAPLET   
According to the SCOTTISH NATIONAL PORTRAIT GALLERY "she wears 
... a rosary with an enamelled cross 
showing the Biblical scene, Susannah and 
the Elders. This was taken to symbolise
the triumph of truth over  false accusation." 
VISIT THE SCOTTISH NATIONAL PORTRAIT GALLERY


 
 
 
 
1430 - 1500
Friedrich Herlin 

Four women pray  rosaries, 3 coral and one prays the counting disks. Flat disks attached to a leather thong or tied into a fiber cord are turned over one at a time as prayers are counted. 
 
 
1430 - 1500
Friedrich Herlin  

Kneeling Men counting prayers on large beads that may be wooden. large Paters or Gauds are of an unknown substance.

  CORAL AND POMANDER BEADS
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POMANDER
 (French pomme dambre, i.e. apple of amber)
A pomander, in its original concept, is a ball made of perfumes, such as ambergris, musk, cloves or myrrh or civet . it was  worn or carried in a box or case often shaped like flowers and other natural shapes or a bead, as a protection against infection during times of pestilence and plague.  (They were usually filigree or openwork so the aromas could escape) It was also used to modify bad smells as baths were not a daily event. Pomanders were hung from a neck chain or attached to the waist or on a rosary. Royalty and wealthy preferred Pomanders of precious medals (gold or silver) and often set with precious stones while the common folk wore simple cloth bags around their necks. It was not unusual for a Pomander to have several partitions to divide different aromatic herbs, spices, crushed flowers or perfumes. The British Museum has an an early 16th Spanish pomander set with emeralds, that was found in the Thames. If only it could talk!
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  Others believe the aroma is like the ‘sweet incense of prayer rising to heaven’ and is given to God. The circle of beads will eventually be seen as similar to a wedding ring or God never ending. Women also enjoy adding small trinkets such as figurines, images and gemstones to their rosaries along with the scented dried fruit and flowers.
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CORAL
Coral was believed to carry special healing powers and give the pray-er or wearer spiritual insight, an open heart and protection against evil. Very popular usage in rosaries for children as well as adults.  Coral was also believed to enhance ones memory.


 

Unknown Master
(Städel Museum
Frankfurt Germany)

< Image of Claus Stalburg 
des Reichen (1469-1524). Note 
differences in large Pomander 
beads and the count of 4 sets 
of 6 coral (Ave) beads with 
3 gauds (Paters).  
Unknown Master
(Städel Museum
Frankfurt Germany)

<Image is of Claus Stalburg 
des Reiche's wife Margarethe 
of the Rhine. Hers holds 4
sets of 10 (Aves) and 5 Gauds
(Paters)
 
 


~  PRAYER BEADS in ART ~

 
 LARGE CORAL COLORED AVE BEADS ARE PUNCTUATED
click to see full painting
from
PORTRAIT OF AN UNKNOWN WOMAN - 1527
Joos Van Cleve
The Uffizi Gallery, Florence
(to see full image, click icon)
 WITH METAL PATERS SUGGESTING THE CONFIGURATION
MAY BE SIMILAR / SAME AS TODAY' ROSARY.
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MORE PAINTINGS WITH ROSARIES SYMBOLIC OF THE SUBJECT'S ATTRIBUTES
PORTRAIT OF A LADY WITH A ROSARY - 1609-1610
 Peter Paul Rubens - Lugano -Castagnola, Switzerland
hard to see in this image but shows the interest in symbolism of faith
UNKNOWN MAN WITH ROSARY
Quentin Massys - Kunstmuseum Basel - Basel, Switzerland
hard to see in this image but shows the interest in symbolism of faith
PORTRAIT OF GIOVANNA TORNABUONI - 1488
Domenico Ghirlandaio - Museo Thyssen-Bornemisza, Madrid
prayer beads hanging on the wall behind her head - red beads with tassel
THE MAGDALENE READING - 1445
Rogier van der Weyden - National Gallery - London
 see closeup below - single strand 3 lg white beads, 16 amber, tassels on each end
VIRGIN OF THE ROSARY OF GUAPULO - 1680 
         Unknown artist - The Metropolitan Museum of Art - New York
Peruvian (Cuzco) in origin and in the style of the arts of the Spanish Americas
MAN WITH A ROSARY - 1525
Jan Gossaert - The National Gallery - London
 hard to see in this image but shows the interest in symbolism of faith
AN OLD WOMAN WITH A ROSARY - 1896
Paul Cezanne -  The National Gallery - London
hard to see in this image but shows the interest in symbolism of faith
PORTRAIT OF A YOUNG MAN WITH A ROSARY - 1509
 Hans Galdung Grien - Royal Collection - Windsor
from Schwbish-Gmund (rosary making center) showing early rosary, possibly filigree
MARRIAGE OF ARNOLFINI - 1434
Jan Van Eycks - The National Gallery - London
Hanging on the back wall of this painting, a strand of 30 beads, tassled at each end
PORTRAIT OF THE ARTIST'S FATHER - 1490
Albrecht Durer - the Uffizi Gallery - Florence
figure of Durere's father holds and fingers large read beads in his hands
ROSARY BEAD - EARLY 16c
South Lowlands (Brabant) - Boxwood; Diam. 2 1/16 in. (5.2 cm)
Ex. coll.: Paul; J. Pierpont Morgan, New YorkGift of J. Pierpont Morgan, 1917 
BEADMAKING FOR COUNTING PRAYERS
very interesting links to articles on beadmaking for prayers - wonderful for those 
working in depth on the history of rosary beads and how they were made and vended.
THE LAST ONE (ABOVE) IS A MAGNIFICENT HAND CARVED ROSARY BEAD.
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INTERESTING CONFIGURATION OF STRUNG
click to see full tryptych
(tryptych, left panel)
ADORATION OF THE SHEPHERDS -1480
Hugo Van Der Goes
The Uffizi Gallery, Florence
(to see full image, click icon)
ROUND SPACERS, FLAT BEADS AND A CROSS
BEADS POSSIBLY AMBER AND BONE.
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A ROSARY OF CORAL, WAS BELIEVED TO
click to see full altarpiece
MONTEFELTRO ALTARPIECE - 1465
Piero Della Francesca
Pinacoteca di Brera, Milan
(to see full image, click icon)
GIVE WISDOM ALONG WITH ITS POWER TO
HEAL AND PROTECT (MIDDLE AGES)
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MURILLO  MADONNAS
BEAUTIFUL STUDIES OF MARY HOLDING HER SON, JESUS WITH A ROSARY
MADONNA OF THE ROSARY - ???
 Pitti Palace - Florence, Italy
THE MADONNA OF THE ROSARY - 1675 - 80
with angels at her feet - 
VIRGIN AND THE CHILD WITH ROSARY - 1650 - 55
Museo del Prado, Madrid
BY BARTOLOME' ESTEBAN MURILLO - 17th CENTURY
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 A MAGNIFICENT EXAMPLE OF A SINGLE
click to see full painting
from
THE MAGDALENE READING - 1445
Rogier van der Weyden,
National Gallery, London
(to see full image, click icon)
STRAND PRAYER BEADS WITH TWO TASSELS,
ONE AT EACH END. POSSIBLY AMBER.
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 A MAN AND WOMAN KNEEL BEFORE AN
OPEN DOOR, FACING  THE CENTER PANEL (THE
click to see full painting from
THE MERODE ALTAR - PIECE - (Left panel) 1426
Robert Campin
The Cloisters, Metropolitan Museum of Art, New York
(to see full image, click icon)
ANNUNCIATION). THE WOMAN HOLDS A CORAL
ROSARY WITH WHITE BEADS AT EITHER END.
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30 CRYSTAL CLEAR BEADS REFLECT THEIR
LIGHT MAKING IT HARD TO TELL IF THERE IS
click to see full painting from
THE BETROTHAL OF ARRIGI ARNOLFINI AND GIOVANNA CENAMI - 1434
Jan van Eyck 
The National Gallery,  London
(to see full image, click icon)
 ONE ROSARY OR TWO. AN ELEGANT PASSEMENTERIE
TASSEL (PROBABLY OF GOLD THREADS AND
BOULLION ) HANG FROM EACH END.
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'All night she spent in bidding of her bedes
And all the day in doing good and Godly deeds'
Vision of Piers the Plowman
by William Langland - 1370
 


1800's

~ GERMAN MADONNA ~

ARTIST UNKNOWN

Dated 1800s

Christ Child holds a rosary on his left arm, appearing to be 46 (?) wooden beads strung with no spacing. Possibly ending in a tassel.
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GRIEN WAS FROM SCHWABISH
GMUND, A SMALL AREA IN GERMANY
click to see full painting
from
PORTRAIT
OF A YOUNG
MAN WITH A ROSARY - 1509
Hans Galdung Grien,  Royal Collection, Windsor
(to see full image, click icon)
KNOWN FOR ITS SILVER CRAFT WORK
 AND FILIGREE ROSARY MAKING
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ALBRECHT DURER
click to see full painting see link above
PORTRAIT OF THE ARTIST'S FATHER - 1490
(to see full image, click icon)
THE UFFIZI GALLERY - FLORENCE
 

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