ABOUT
KAREN LEWIS' WORK
THE 'SPIRITED BEAD'
IS DEEPLY SPIRITUAL
We met Karen several
years ago and have been fans ever since. Her work is very collectable and
very durable even though one might think that polymer clay is vulnerable.
We believe it is stronger than glass. Karen explains her technique with
polymer clay is the same found in the ancient glass canes of Venice.
'A cane is a bundle of colors painstakingly gathered together to create
a design or picture when seen from the end or cross section'. She explains
'they become like a thick puzzle. When the cane is formed, it is then compressed,
stretched, rolled, pressed, squeezed and flattened to reduce the size of
the cane...'
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EACH COLOR IS A DIFFERENT PIECE
OF CLAY
Once this is accomplished,
it is sliced. She makes a ball then flattens it. She slowly works other
cane designs into it. Once the bead is complete, she makes the hole
then bakes it. She often adds tiny elements of designs to the surface
like an appliqué. To finish her work, she sands the surface
with 'many grits of wet/dry sandpapers'. Finishes range from satin
smooth to glossy. Note that every color you see is a different piece of
clay, there is nothing painted on the surface.
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SMALL
ANTIQUE GLASS FLOWER BEAD ARE STACKED
ON
TOP OF PURPLE LEAVES
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STRONG AND BEAUTIFUL
WITH TIME
I have seen
beads that she has made that are well over 5 years old and used on a key
chain and they remain perfect. Nothing has fallen off, and the only visible
difference is that they gain an exquisite patina over time. Hard to believe
when you realize that every color you see in each leaf, each berry, is
a different piece of clay. Nothing has been drawn or painted into the design.
It is pure. Once the cane is gone, there is no way to replace it, therefore
each series is limited.
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LOOKING BACK
BELOW: A small
sampling of past rosaries and chaplets in this series - now in praying
hands. Each one - so rare - so beautiful - never to be repeated,
one of a kind - that we just like looking at them.
LOOKING BACK
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